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Sarah Whatley, Natalie Garrett Brown & Kirsty Alexander – Attending to Movement Details
- Title: Attending to Movement
- Genre: Dance
- Author: Sarah Whatley, Natalie Garrett Brown & Kirsty Alexander
- Release: May 1, 2015
- Publisher: Triarchy Press
Attending to Movement – Sarah Whatley, Natalie Garrett Brown & Kirsty Alexander Overview
Here is a small introduction (if available) of the book you want to download, the link to download Sarah Whatley, Natalie Garrett Brown & Kirsty Alexander can be found at the end of the page.
This edited collection draws on the conference, Attending to Movement: Somatic Perspectives on Living in this World, run at C-DaRE, the Centre for Dance Research, Coventry University, 12 – 14 July, 2013. Somatic practitioners, dance artists and scholars from a wide range of subject domains cross discipline borders and investigate the approaches that embodied thinking and action can offer to philosophical and socio-cultural inquiry. The book celebrates and builds upon the work of visionary dance artist, teacher and scholar Gill Clarke (1954 –2011), who championed the value of somatic approaches within and beyond dance education and creative practice. Contents PART ONE – INTERCULTURAL DIALOGUES Carol Brown: So, Remember the Liquid Ground Lalitaraja: Thinking, Reflecting and Contemplating With the Body Nadra Assaf: Not Without My Body Juan Manuel Aldape Muñoz: Choreographic Mobilities PART TWO – SOMATICS IN A WIDER SOCIAL CONTEXT Thomas Kampe: The Art of Making Choices Lizzy Le Quesne: An Intricate Field Somaticatica (Bernadette Cronin, Jools Gilson, Roisin O’Gorman): Embodied Adventures in and out of the Irish Countryside PART THREE – INTERPLAY OF PRACTICE AND WRITING Adam Benjamin: The Fool’s Journey and Poisonous Mushrooms Cath Cullinane, Natalie Garrett Brown, Christian Kipp & Amy Voris: At Dusk, the Collaborative Spills and Cycles of L219 Carolyn Roy: As My Attention is Wandering Sally E. Dean: Amerta Movement and Somatic Costume Hilary Kneale: ‘The Daily Round, The Common Task’ Sarah Whatley: Motion Capture and The Dancer PART FOUR – PEDAGOGY/EDUCATION Sara Reed: Attending to Movement Fiona Bannon and Duncan Holt: Attending to Ethics and Aesthetics in Dance Penny Collinson: Re-sourcing the Body Nicole Harbonnier-Topin and Helen Simard: Somatic Education and Introspective Verbalisation PART FIVE – LIVED LINEAGES Jenny Roche: Disorganising Principles Jennifer Mackerras and Jane Toms ~ Myth-Busting Duncan Holt: A Moving and Touching Career in Dance and Chiropractic Martha Eddy: Early Trends ABOUT THE EDITORS Sarah Whatley is Professor of Dance and Director of the Centre for Dance Research (C-DaRE) at Coventry University. Dr Natalie Garrett Brown is principal lecturer in dance at Coventry University, UK, where she contributes to the BA(Hons) Dance course and co-ordinates postgraduate provision for the Performing Arts Department. Kirsty Alexander studied law and then trained in contemporary dance. She performed with a diverse range of artists including Gill Clarke, Rosemary Butcher, Gaby Agis, Michael Clarke, Station House Opera and Michel Laub.
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